The definition of come-from-where success for many concerned, Jordan Peele’s “Get Out” revealed a TV-centric comedian who could turn satire into a socio-political cinematic knife. Equally captivating was the work of modern classical composer Michael Abels, who enlightened the body bidding of a sunken place with uniquely twisted music that truly got under the cultural skin. A box office and Oscar success with all audiences that racially redefined the horror genre, the utter, sinister originality of “Get Out” and its score made us wonder how Peele and Abels could possibly top it.
Equally captivating was the work of modern classical composer Michael Abels, who enlightened the body bidding of a sunken place with uniquely twisted music that truly got under the cultural skin.